{"header":"G\u00fcncel G\u00f6sterim & Etkinlikler","column_1":"

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Oynayanlar:<\/b> Attila Aytekin - Birol Tezcan - Dilara Caner - Do\u011fan Akda\u015f - Y\u0131lmaz Angay \u2013 Zeynep Sibel Ba\u015faran <\/p align=\"\">\r\n

Yazan:<\/b> Melih Cevdet Anday \r\n
Sahne Tasar\u0131m:<\/b> Ece Yoltay\r\n
Kost\u00fcm Tasar\u0131m:<\/b> Ay\u00e7a K\u0131ran\r\n
G\u00f6rsel Tasar\u0131m: <\/b>Dilara Caner \r\n
Proje Sorumlusu:<\/b> \u0130rem \u00d6zatay - Meltem Nur Tun\u00e7ay\r\n
Dramaturgi:<\/b> yeralt\u0131\r\n
Sahneleyen:<\/b> Hakan Altun<\/p align=\"\">\r\n


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\u201cYolculu\u011fun y\u00f6n\u00fc,
ad\u0131mlar\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fcnden
\u00e7ok daha \u00f6nemlidir.\u201d<\/i> \r\n
A. Boal\r\n


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\r\nSahneye \u201c\u00f6zg\u00fcrl\u00fck\u201d yazma \u00e7a\u011fr\u0131s\u0131yla a\u00e7\u0131ld\u0131 bu y\u0131l \u201cD\u00fcnya Tiyatro G\u00fcn\u00fc\u201d alternatif bildirisi, S\u00fcreyya Karacabey\u2019in sesiyle. Sahne, ancak b\u00f6yle \u0131\u015f\u0131ldar. Oyunun\/tiyatronun f\u0131trat\u0131nda var \u00f6zg\u00fcrl\u00fck. A. Boal, korodan ayr\u0131larak ve ona kar\u015f\u0131 eyleyen\/s\u00f6yleyen ilk oyuncunun, Thespis\u2019in \u00f6yk\u00fcs\u00fcn\u00fc bu minvalde anlat\u0131r. Herkes koroya uyarken\/itaat ederken\/koronun i\u00e7inde \u015fark\u0131 s\u00f6ylerken, yine de (\u00f6zg\u00fcrl\u00fc\u011f\u00fcn m\u00fcmk\u00fcn oldu\u011funu bilen -ya da bilmeyen) biri koroya kar\u015f\u0131 konu\u015fmaya cesaret edebilir. \r\n
\r\nBug\u00fcn sahneye \u00f6zg\u00fcrl\u00fc\u011f\u00fc yazmak, onbe\u015f y\u0131l \u00f6nce bir 27 Mart sabah\u0131 tiyatro \u00fcretmek i\u00e7in yola \u00e7\u0131kt\u0131\u011f\u0131m\u0131z g\u00fcnden daha ya\u015famsal bir yerde duruyor. Sanat\u00e7\u0131 pespayele\u015fti\u011finde sanat\u0131 savunmak (ki zekalar\u0131n e\u015fitli\u011fi ilkesi gere\u011fince her insan sanat\u00e7\u0131d\u0131r) bir direni\u015ftir. Sanat estetik oldu\u011fu kadar (belki de estetik oldu\u011fu i\u00e7in) etik ve politik bir tav\u0131r al\u0131\u015ft\u0131r. Her tercih gelecekle s\u0131nan\u0131r, her edim yol a\u00e7t\u0131\u011f\u0131\/a\u00e7aca\u011f\u0131 sonu\u00e7lar\u0131n aynas\u0131ndan ve bir de\u011fere d\u00f6n\u00fc\u015ferek \u015fimdiye yans\u0131r. \r\n
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tesekk\u00fcrler<\/b><\/font>\r\n

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Ekibe<\/b>: Bir kolektifin varl\u0131\u011f\u0131, o kolektifin bile\u015fenlerine ba\u011fl\u0131d\u0131r. Arkada\u015flar\u0131m\u0131z\u0131n ya\u015fam gailesiyle ve k\u0131sa bir s\u00fcre i\u00e7inde farkl\u0131 illere ya da ya\u015famlara da\u011f\u0131lmas\u0131yla olu\u015fan atalet, donan suyun alt\u0131ndan akmay\u0131 s\u00fcrd\u00fcren ve donan\u0131mlar\u0131n\u0131 artt\u0131rarak \u00e7al\u0131\u015fmalar\u0131n\u0131 \u0131srarla s\u00fcrd\u00fcren yeni ku\u015fa\u011f\u0131n \u00e7abalar\u0131yla k\u0131r\u0131ld\u0131. Ay\u00e7a ve Ece\u2019ye <\/b>: Ekibe yeni dahil olup \u00f6zveriyle oyunu bezediler. Adlar\u0131n\u0131n an\u0131lmas\u0131na gerek olmasa da <\/b>: Dayan\u0131\u015fmayla \u00f6r\u00fclen bir tiyatro kolektifinin yard\u0131ma gereksinim oldu\u011funda, prod\u00fcksiyon i\u00e7in sorgusuz sualsiz imeceye kat\u0131lan, maddi\/manevi desteklerini esirgemeyen ve eme\u011fini koyan, i\u00e7imizden olmalar\u0131 hasebiyle ne te\u015fekk\u00fcre ne de adlar\u0131n\u0131n an\u0131lmas\u0131na gerek olmayan dostlar\u0131m\u0131z\u0131n dayan\u0131\u015fmalar\u0131 oyunun v\u00fccut bulmas\u0131nda ya\u015famsald\u0131r. \u0130zleyicilerimize <\/b>: Kurulu\u015fundan itibaren amat\u00f6r yap\u0131da \u0131srar eden bu ekip, yap\u0131lan maddi katk\u0131lar\u0131n tamam\u0131n\u0131 prod\u00fcksiyonlar\u0131na aktar\u0131r. Bu nedenle izleyicilerimiz m\u00fc\u015fterilerimiz de\u011fil, maddi ve manevi destekleriyle var ettikleri oyunlar\u0131m\u0131z\u0131n payda\u015flar\u0131d\u0131rlar. Fade Sahne\u2019ye ve Acil Sahne\u2019ye <\/b>: Alternatif sahneler tiyatronun ya\u015famsal kaynaklar\u0131d\u0131r. Kap\u0131lar\u0131n\u0131 bize dayan\u0131\u015fmayla a\u00e7t\u0131lar. Alternatif mekanlar\u0131n \u00e7o\u011falmas\u0131 dile\u011fiyle. <\/p align=\"\">\r\n
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FADE SAHNE<\/p align=\"center\"><\/font color=\"#FF8C00\"><\/font size=\"5\"> <\/b>\r\n\r\n

Farabi Sokak. No:39\/A<\/p align=\"center\"><\/font color=\"black\"><\/font size=\"2\"> \r\n\r\n\r\n

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26 <\/align=\"center\"> <\/b><\/font color=\"#008000\"><\/font size=\"3\"> <\/td>

KASIM <\/b><\/font color=\"#008080\"><\/font size=\"3\"><\/td> \r\n<\/tr>
SAAT <\/b><\/font color=\"#008000\"><\/td> 20.00<\/b><\/font color=\"#008080\"><\/font size=\"3\"> <\/td><\/tr> <\/table><\/align=\"center\">\r\n\r\n\r\n\r\n